The accident man sc-1 Read online

  He was about to move on when something caught his eye at the end of the bed. When he shone his torch on it he realized it was an overnight bag. The pattern on the fabric was Louis Vuitton. It was open and half-filled with women's clothes. Nearby was a small, shiny Chanel carrier bag. A pair of white jeans had been thrown on the bedspread next to a short denim jacket. Two slip-on Keds sneakers, in matching white, were lying on the floor next to the bed. Carver walked around the bed and over to another door that led into the en suite bathroom. On the shelf above the basin there were a couple of bags, one filled with makeup, the other, bigger one stuffed with shampoo, body lotions, and other bath-time paraphernalia.

  The discovery jolted Carver out of his smooth, complacent routine. Max hadn't told him that Narwaz had a girlfriend in town. She'd obviously arrived, changed, and then gone out again. If she was with Narwaz now, she was going to die with him tonight. Carver pulled out his phone and dialed a UK-based mobile line.

  "You didn't tell me about the woman."

  "Why would I? Makes no difference to the mission."

  "It makes a difference to me. I came here to eliminate a serious terrorist. The girlfriend's a civilian. You know I don't hit civilians, Max."

  Carver heard a laugh come down the line.

  "Course you do. You just don't like to admit it. That Albanian-you think his helicopter flew itself? He had a pilot, Carver."

  "The pilot knew what he was doing. He was getting paid."

  "Oh what, and the bird isn't? Look, it doesn't matter if the target has a girlfriend, a driver, a bodyguard, or his entire family with him. I don't care if he invites the Dagenham Diamonds drum majorettes around to his place for a party and we blow them all to smithereens. This mad bastard wants to start a holy war. There could be millions of lives at risk. So he has to go. The collateral damage is not our problem."

  Carver said nothing. He'd spent his military service fighting blood-soaked dictators who lost wars but stayed in power. He'd gone after psychopathic terrorists who somehow morphed into peace-loving politicians, greeted with handshakes at Number 10, and smiles on the White House lawn. He and his men had seized countless old freighters and fishing boats filled with drugs or guns. But it never made a damn bit of difference. No one ever paid for what they'd done. No government ever stopped them from doing it in the first place.

  Now he was able to trade with the bad guys in their own currency. He believed he made the world a better, safer place. Sometimes people got caught in the crossfire. That was the price of doing business. He forced his doubts out of his conscious mind, locking them up in the same mental dungeon where so many of his scruples, fears, and emotions had been shut away.

  Max broke the silence. "You still with me there, mate? 'Cause if you're not up for this job, just tell me now. I can't have anyone screwing this up."

  "Tell you what, Max. Why don't you come down here? Walk through the front door and wait sixty seconds. Find out if I'm up for it yourself."

  "That's more like it. For a moment there, I thought you might have lost it. You're not losing it, are you, Carver? I'm starting to worry about you."

  "Piss off, Max."

  Carver's tone was aggressively self-confident. Inside, though, he asked himself whether Max might be right. Was he losing it? In terms of straightforward competence, he was certain the answer was no. He kept himself in good shape; he didn't throw away his money on drugs or divorces; he wasn't one of those military relics who hung around the pubs of Hereford and Poole telling pathetically exaggerated war stories to other old soldiers as lost and purposeless as themselves. So no, he hadn't lost his ability to do the job. But maybe he was losing the taste for it.

  He'd long ago concluded that his strength had nothing to do with muscles, guns, or explosives. It lay in his mind and his eyes, in the force of his will and the certainty of his purpose. Somewhere inside him, there was a well of barely acknowledged anger and loss that had always driven him on. But if that fuel ran dry, if that strength of will should ever be diminished, well, what then?

  This really might be his last contract, after all. So he'd better make it a good one. And come out of it alive.

  The third bomb went in the bedroom, taped to the wall at the head of the bed and covered up with pillows. The woman's bag was right next to Carver as he worked. He caught a faint trace of her scent, rising from her clothes. He wondered whether she knew the truth about her lover. Did she follow the same cause? Or was she just a pretty girl about to die because she let a wealthy man seduce her?

  "For Chrissakes!" he muttered to himself. "Focus." He still had another three devices to put in place-the freezer bags filled with explosive putty. He taped one inside the cistern of the toilet, then stuck a tiny radio detonator into it. A second bag and another detonator went inside one of the eye-level kitchen cupboards. The Claymores should penetrate the room, but he wasn't going to count on it. Too many targets had survived assassination attempts because bombs turned out to be less deadly than their users had planned. You needed to kill them twice, just to make sure.

  A final bag and detonator were secured beneath a console table in the hall. Every room in the apartment had been turned into a killing field. Now he just had to make all his bombs go off.

  He returned to the pack and removed a small plastic box the size of a miniradio. Two wires protruded from the bottom of the box, and on the top were an extendable aerial, an on-off switch, and a tiny red power light. He went back to the coat closet, opened up the main alarm-system box, and wired his little box into the same terminals as the door sensor. Then he switched it on. The red light at the top of the box began to pulse. The unit was on standby.

  When the apartment's alarm system was activated, the unit would be fully switched on. Any break in the alarm circuit, such as the opening of a door, would trigger a switch inside it, setting off a sixty-second timer. But unlike the alarm, it couldn't be turned off. Tapping the code into the control panel made no difference. The timer just kept counting down the seconds till it reached zero and sent its deadly signal to the explosives hidden around the apartment.

  The trap was set. Carver removed the torch and put it back in the pack, along with the rest of his equipment. He retraced his steps around the apartment, making sure that everything was exactly as he had found it and nothing had been left behind, then moved back out the way he had come in, resetting the alarm as he went. The next time anyone came in through the front door, the whole place would blow.

  At the bottom of the stairs, Carver turned toward the back door and went out into the courtyard. He took off his pack and extracted everything he'd need for the rest of the operation, along with the black garbage bag. He opened it up and put the pack and its remaining contents inside, then walked down the street to an alley beside a local bistro, where he slung it into a huge metal bin, burying it beneath a layer of restaurant trash.

  As Carver made his way back to his bike, he called Max.

  "The apartment's fixed. Where do you want me now?"

  He received his instructions, making sure that he was absolutely clear about every stage of the operation. For now, at any rate, those moments of weakness in the apartment had passed.

  4

  Less than a mile from the apartment Carver had booby trapped, two men with false names were going about their work in a building with bogus ownership papers. One of them was known to Carver as Max. His face had the deep-lined, half-starved look of a jockey or a Rolling Stone. His steely hair was cropped tight to his skull. He wore rimless glasses, a charcoal suit, a white linen shirt, and a pale mushroom-colored knitted tie.

  His stark modernity looked out of place in his immediate surroundings. He had just walked into the drawing room of an eighteenth-century townhouse, decorated with lavish extravagance-twelve-foot ceilings, a marble fireplace, antique furniture, and ancestral portraits with heavy gilt. Whoever had chosen the decorations had been trying to evoke the grandeur of a bygone age.

  Max looked around in distaste. Th
e place looked like a bloody museum. He turned his attention to the middle-aged man in beige cords, green sweater, and pale blue button-down shirt standing by the unlit fire, holding a glass of whisky. The man was stocky, powerfully built, just starting to run to fat as time, gravity, and lack of exercise took their toll.

  "I got news from Carver, sir."

  The other man's job title was Operations Director. Some of his staff referred to him as "O.D." When he wanted to give an impression of friendship, he told people to call him Charlie. But Max preferred "sir." He never liked getting chummy with his bosses. They started taking liberties if you did. Keep it nice and formal, then everyone knew where they stood.

  "How's he getting on?" asked the operations director.

  His voice sounded tired. He ran a hand through his hair and down the back of his neck. He'd had less than three hours' sleep in the past forty-eight. They'd been working fast, under pressure, cutting too many corners. Max wondered whether the old man was up to it anymore.

  "Fine," he said. "Just one thing, though. Looks like he's had a sudden attack of conscience."

  "Really? How so?"

  "He's worried innocent people might get killed."

  The operations director laughed, composing himself when he saw the disapproval on Max's face. "Sorry," he said. "Tension must be getting to me. But you see the irony, surely."

  "Oh, yes, I see that."

  "Right then, are the Russians in place?" He gave a sharp, frustrated sigh. "I don't like using new people on a job like this. Still, the chairman assures me they're top-notch. He must know what he's talking about."

  "They're in position," said Max. "And the observation teams are ready. Once there's a sighting, we'll be ready to move at once."

  "Excellent," said the operations director. "Let's wait for the show to begin."

  SUNDAY, AUGUST 31

  5

  The time was a quarter past midnight. Samuel Carver stood astride the Honda, waiting to go into action. He glanced down at the black metal tube clipped to the bike behind his right leg. It looked like a regular, long-barreled flashlight, the kind that police or security guards use. It was, in fact, a portable diode pump laser, otherwise known as a dazzler. Developed as a nonfatal weapon for U.S. police forces, but taken up with deadly enthusiasm by special forces around the world, it emitted a green light beam at a frequency of 532 nanometers. Its nickname, though, was misleading. When this light shone in somebody's eyes, they weren't just dazzled. They were incapacitated.

  A green laser beam left anyone who looked at it disoriented, confused, and temporarily immobile. The human brain couldn't process the sheer amount of light data flooding through the optic nerves, so it acted like any other overloaded computer: It crashed.

  Night or day, rain or shine, a dazzler was an accident's best friend.

  It would only be a matter of seconds now. Carver was positioned by the exit of an underpass that ran beneath an embankment on the northern side of the Seine. If he turned his head fractionally to the right, he could look across the river at the glittering spire of the Eiffel Tower darting up into the night sky. It was past midnight, but there were still a few pleasure boats out on the water. If Carver had been the slightest bit interested, he'd have seen the lovers standing arm in arm by the rails, looking out at the City of Light. But Carver had other things to think about. He was looking toward the far side of the underpass. All he cared about was the traffic.

  The time had come. He took a deep breath, then let the air out slowly, dropping his shoulders, easing the muscles, twisting his neck, and rotating his head to loosen the top of his spinal cord. Then he looked back at the road.

  Several hundred meters away, beyond the entrance of the underpass, he saw a black Mercedes. It was traveling fast. Way too fast.

  Behind the Merc was the reason for its desperate speed. A motorcycle was chasing it, buzzing around the big black car like a wasp around a buffalo. There was a passenger riding in a pillion, carrying a camera, leaning away from his seat and firing his flashgun, apparently oblivious to his own safety. He looked for all the world like a paparazzo, risking his neck for an exclusive shot.

  "Nice work," thought Carver, watching the speed team doing their job. He started his bike and got ready to move.

  For a second, he imagined the passengers in the car, urging their driver to pull away from the relentless pursuit of the bike.

  Everything was going according to plan. Carver rolled downhill toward the road leading from the underpass.

  As he reached the junction with the main road, a gray Citroen BX hatchback emerged from the underpass. Carver let it go, noting the two Arab men in the driver's and passenger's seats. Another car went by, a Ford Ka. Then Carver rode his bike out into the middle of the road.

  He crossed to the far side, then turned the Honda into the flow of the oncoming traffic and dashed ahead about a hundred meters to the mouth of the underpass. There was a line of pillars down the middle of the road. They supported the tunnel roof and separated the two directions of traffic. He stopped by the last pillar and reached down to unclip his dazzler.

  Something caught Carver's eye.

  At the mouth of the underpass, coming toward him, was a battered white Fiat Uno. It was doing the legal speed, fifty kilometers per hour, and therefore going less than half as fast as the car and bike racing toward its tail.

  Carver's eyes narrowed as he pulled out the laser. His mouth gave a quick twitch of silent irritation. This wasn't part of the plan.

  The Mercedes and the motorcycle were closing on the little white car at breakneck speed. There were a hundred meters between them. Fifty. Twenty.

  The Merc came roaring up behind the Fiat in the right hand lane, then swung left, trying to overtake it. The bike rider had no option. He had to go around the other way, squeezing between the right-hand side of the Fiat and the tunnel wall. Somehow, he shot through without a scratch, rocketing out the far side of the Fiat.

  The Merc wasn't so lucky. The front of the car, on the passenger's side, caught the Fiat from behind. The Merc smashed through the Fiat's rear lights and crumpled the thin metal of the Fiat's rear panels.

  The tunnel walls echoed with the cacophony of screaming engines, smashing plastic, and tortured metal. But inside his helmet, Carver felt isolated, unaffected by the chaos that was rushing toward him. He could see the driver of the Mercedes struggling to regain control as his vehicle careered across the road. The guy was good. Somehow the car straightened out. Now it was coming straight at Carver.

  Carver stood as immobile as a matador facing a charging black bull. He raised the laser, aimed at the windshield of the car, and pressed the switch.

  The blast of light was instantaneous. A beam of pure energy exploded across the ever-narrowing gap between Carver and the onrushing Merc. It took only a fraction of a second, then the beam was gone.

  The Mercedes lurched to the left. Somewhere, deep in the unconscious, animal part of the driver's brain, some sort of alarm signal must have registered. He slammed his foot on the brake, desperately trying to stop the car.

  He had no chance. The two-ton Mercedes smashed into one of the central pillars, instantly decelerating from crazy speed to total immobility. But there was just too much speed, too much weight, too much momentum. The shattered car bounced off the pillar and skidded across the road, spinning around as it went. It finally came to a halt in the middle of the road, facing back the way it had just come.

  The front of the Merc looked like a Dinky Toy hit by a baseball bat, with a gigantic U-shaped depression where the hood and engine had been. The windshield was shattered, as was every other window. The driver's-side front wheel had splayed out from the side. On the other side, the wheel had been jammed into the bodywork. The roof had been ripped from the passenger side, jammed down into the passenger compartment, and shifted two feet to the left. The pressure from front and top had forced all four doors open.

  There was no sign of movement from the passenger compar
tment. Carver knew that the chances of anyone surviving that kind of an impact were minimal. In the corner of his eye, he saw a car drive past him, on the other side of the road, going into the tunnel, past the Mercedes.

  Meanwhile, the Fiat was completing its journey out of the tunnel. Carver caught a glimpse of shock and terror on the driver's face. Then he noticed something else. There was a dog in the front seat. It had its tongue out, panting happily, oblivious to the destruction disappearing behind it.

  Carver strapped the laser back on the gas tank of his bike. He was tempted to go down and check the wreckage to make sure the target was dead, but there was little point. In the unlikely event that anyone had survived such a devastating impact, there was nothing Carver could do about it without leaving some sort of forensic trace. And even if Ramzi Hakim Narwaz was still alive, he wasn't going to be plotting terrorist activities anytime soon.

  It was time to go. At the far end of the tunnel, Carver could see a couple of pedestrians, standing and watching, unable to decide whether to walk any closer to the scene of the accident. In the distance he could hear the mosquito whine of motorcycle engines. People were coming. They would have cameras. They would be followed by cops, ambulances, fire engines.

  Carver didn't want to be around when they got there. He needed to get away before anyone figured out that this wasn't just an unfortunate accident. He swung the tail of his bike around 180 degrees and headed back up the exit ramp of the Alma Tunnel.

  6

  The other motorcycle pulled up two hundred meters farther up the road, on the Avenue de New York, just beyond the vast neoclassical expanse of the Palais de Tokyo, home of the Paris Museum of Modern Art.